Package graphic design and communication across cultures: An investigation of Chinese consumers' interpretation of imported wine labels

Package graphic design is a powerful tool for brand communication. Yet, an important question is how the designs are understood across cultures. A considerable amount of research has focused on cross-cultural marketing communications, prompting discussions on the emergence of global consumer cultures, which make package standardization possible or, conversely, the awareness of cultural differences, which has suggested that package localization is necessary. No research, however, has considered this question from a design-centered perspective and examined whether some package graphic designs are more likely than others to remain intelligible across cultures. This research proposes that packages using motivated signs in their graphic designs are more likely to be intelligible across cultures than packages using arbitrary signs. To explore this proposition, eight imported wine labels were analyzed through a semiotic study (study 1). Then, two studies investigated the interpretations of the wine labels by Chinese consumers. The results indicate that the labels that were classified as “motivated” succeeded in conveying the desired brand meanings to the Chinese respondents (study 2: N = 1391) even when they were not familiar with the wine brand culture (study 3: N = 795). The research presents a theoretical contribution by introducing the concept of sign motivation to the marketing literature and nuancing the classic assumption that visual signs convey different meanings across cultures. It also presents a managerial contribution by presenting a conceptual framework and methodology for the analysis of whether or not a graphic design is likely to be intelligible across cultures. It therefore provides guidelines for the design of packages for international markets.